Nagada Drum & Percussion Workshops
Thunderous Rhythms of the Thar Desert • Learn Authentic Rajasthani Folk Drums - Nagada, Dholak, Khartal, Morchang • Hands-On Cultural Experience in Historic Temple • 60-Min Intro to Multi-Day Immersion
60-min intro ₹800-1,200/person | 90-min ensemble ₹1,500-2,000/person | 3-day retreat module ₹5,000-8,000/person
The Heartbeat of Rajasthan
Discover the thunderous energy of Rajasthan through our Nagada Drum & Percussion Workshops. Hosted by Krishna Music School in Pushkar's historic Rangji Temple, these hands-on sessions introduce you to the soulful beats of desert percussion—from the mighty Nagada (royal kettle drum heard across kilometers) to the playful Khartal and Morchang (folk clappers and jaw harp). Whether you're a cultural tourist seeking authentic experience, a retreat group wanting team bonding, or a music enthusiast exploring world percussion, our workshops immerse you in the rhythms that have echoed across temples, festivals, and royal courts for centuries. No experience required—95% of participants start from zero and create ensemble grooves within 60 minutes.
What is Nagada? The Royal Thunder Drum
The Mighty Nagada
Physical Description: Large kettle drum (2-3 feet diameter), copper or brass body with goatskin head stretched tight. Struck with thick wooden sticks (not hands), requiring whole-body coordination and strength.
Sound Quality: Deep, thunderous bass that resonates across vast distances—historically heard 1-2 kilometers away, announcing royal arrivals or temple festivals. The vibration you FEEL in your chest cavity as much as hear.
Playing Technique: Unlike tabla or dholak (hand drums), Nagada demands full-body engagement: arms drive sticks down with power, core stabilizes torso, legs ground stance. More physical workout than most participants expect!
Traditional Context: Always played in pairs—two drummers facing each other creating rhythmic dialogue. One leads (calls rhythm), other responds (answers), creating conversation through percussion.
Historical & Cultural Significance
- Royal Instrument: Announced kings' arrivals, military victories, royal proclamations in Rajput courts. Symbol of power and authority.
- Temple Tradition: Played during major festivals at Rajasthani temples—Dussehra, Holi, Gangaur—invoking divine attention through powerful vibration.
- Warning System: Historically used to alert villages of invasions, important news, or emergency gatherings (pre-modern communication).
- Sacred Status: Considered auspicious instrument—creates vibrations believed to align chakras, clear negative energy, invite blessings.
- Warrior Connection: Played before battles to energize soldiers, intimidate enemies. The heartbeat of Rajput military tradition.
Why Learn Nagada? 5 Compelling Reasons
Rare Access
Most tourists never encounter Nagada (not sold commercially like tabla/dholak). Learning this instrument is genuinely unique cultural experience unavailable in most of India.
Physical Release
Full-body workout engaging arms, core, legs. Cathartic therapeutic release—hitting drum HARD safely channels stress/anger. Many participants report feeling "cleared out" afterward.
Primal Satisfaction
Creating LOUD powerful sound is viscerally satisfying for modern humans living quiet office/screen lives. Reconnects with primal human need to make BIG NOISE.
Warrior Heritage
Connect with Rajput warrior/royal traditions through embodied practice. Feel what kings and soldiers felt preparing for battle or celebration.
Impressive Story
Few Westerners ever play royal Rajasthani war drums. Unique party trick, conversation starter, Instagram content gold. "I played ancient royal percussion in 180-year temple!"
Instruments You'll Play
Five authentic Rajasthani percussion instruments from royal courts to folk villages—every participant plays every instrument.
Nagada (Kettle Drum)
Large kettle drum creating thunderous bass resonating across distances. Royal/temple instrument, played with thick wooden sticks in pairs (dialogue between drummers).
What You'll Learn:
- Proper striking technique (wrist angle, stick grip, follow-through motion)
- Basic rhythmic patterns (slow ceremonial to fast celebratory)
- Partner play (creating dialogue between two Nagadas—call and response)
- Building stamina (physically demanding—20 mins continuous play = arm workout!)
Cultural Context: Watch video of traditional temple Nagada performance, understand when/why it's historically played (royal announcements, festivals, battles)
Dholak (Barrel Drum)
Two-headed barrel drum—treble and bass sides create melodic rhythms. Staple of weddings, celebrations, folk songs across North India.
What You'll Learn:
- Hand techniques: Open bass (Ga), closed bass (Ge), treble slaps (Na, Ta)
- Folk rhythms: Dadra, Keharwa (wedding/celebration beats heard at every Rajasthani event)
- Accompanying folk songs and dance (Ghoomar, Kalbeliya traditional dances)
- Playing while moving (Rajasthani folk drummers dance while playing—try if adventurous!)
Khartal (Wooden Clappers)
Wooden blocks attached to fingers creating rapid-fire rhythms. Unique Rajasthani folk instrument—coordination challenge but incredibly satisfying once mastered.
What You'll Learn:
- Finger technique (wooden blocks strapped to both hands' fingers—unusual feeling at first)
- Basic patterns progressing from slow to rapid-fire syncopation (10-15 clicks per second possible!)
- Coordination with Dholak (Khartal adds treble clicking layer over bass drum—polyrhythmic magic)
- Traditional Rajasthani folk patterns (Mand, Ghoomar dance rhythms passed through generations)
Fun Fact: Expert Khartal players sound like machine guns—impossibly fast clicking creates trance-inducing rhythmic layers!
Morchang (Jaw Harp)
Metal mouth instrument creating hypnotic droning with rhythmic pulses. Novelty factor high—everyone loves experimenting with mouth cavity resonance!
What You'll Learn:
- Mouth positioning and tongue techniques (same principle as didgeridoo)
- Creating rhythmic patterns through breath and tongue movement (surprisingly expressive!)
- How mouth shape changes pitch/resonance (open wide = lower, narrow = higher)
- Traditional use in Rajasthani folk ensembles (adds texture/drone layer to drums)
Manjira (Hand Cymbals)
Small brass cymbals—simplest instrument, instant gratification. Perfect for beginners building confidence before tackling complex instruments.
What You'll Learn:
- Basic striking patterns coordinating with drums (emphasize beat one—"sam" in Indian rhythm)
- Group synchronization (entire ensemble playing manjira together = wall of sound)
- Listening skill (following drum patterns, responding appropriately)
Workshop Formats & Pricing
From quick cultural taster to deep multi-day immersion—choose the experience matching your time and interest level.
Introductory Experience
Best For: Cultural tourists, first-timers, travelers, retreat groups wanting single cultural activity, team-building ice-breaker
60-Minute Journey:
- 0-10 mins: Welcome, instruments introduction, cultural context storytelling (history, royal/temple uses)
- 10-25 mins: Nagada basics (everyone gets turn playing, partner dialogue practice)
- 25-40 mins: Dholak rhythms (learn folk wedding beat, play together as group—satisfying groove quickly)
- 40-50 mins: Khartal & Morchang demonstration + audience try (hands-on experimentation, laughter inevitable)
- 50-60 mins: Full ensemble jam (EVERYONE playing together—Nagada, Dholak, Khartal, Manjira—climactic!)
What's Included:
- All instruments provided (no need to bring anything—just show up!)
- Cultural context explanation (not just playing—understanding WHY these rhythms exist)
- Group photo opportunity with instruments (Instagram gold!)
- Traditional chai/tea after session (Indian hospitality—informal music chat)
Group Ensemble Workshop
Best For: Serious learners, music students, groups wanting deeper experience, corporate team-building substantial activity, musical retreat groups
90-Minute Deep Dive:
- 0-15 mins: Warm-up, instruments exploration, rhythm games (clapping patterns, call-response—building ensemble awareness)
- 15-40 mins: Nagada intensive (proper technique refinement, building stamina, partner dialogues creating conversations)
- 40-65 mins: Dholak + Khartal ensemble (divide group—half Dholak bass, half Khartal treble—create layered polyrhythms)
- 65-85 mins: Full ensemble performance (all instruments together, improvisation encouraged, video recorded)
- 85-90 mins: Cool-down, reflection circle, Q&A with teacher (processing experience, next steps for continued learning)
What's Included (Beyond Intro Format):
- Video recording of final ensemble performance sent via WhatsApp/email (treasure for years!)
- Printed basic rhythm notation (take-home reference for self-practice)
- Extended chai/snack session with informal music chat (ask all your questions!)
- Deeper cultural context (regional variations, family lineages, oral traditions)
Festival/Retreat Module
Best For: 7-14 day yoga/meditation retreats, music therapy retreats, university world music courses, serious cultural immersion travelers
Progressive 3-Day Journey:
Day 1: Foundations
- Introduction to all instruments (hands-on exploration time)
- Nagada technique focus (building strength, proper form to avoid injury)
- Basic Dholak folk rhythms (Dadra, Keharwa—foundational patterns)
- Simple ensemble practice (everyone playing together confidently)
Day 2: Deepening
- Nagada partner dialogues (creating rhythmic conversations between pairs)
- Dholak + Khartal layering (complex polyrhythms—challenging but thrilling)
- Introduction to traditional Rajasthani folk songs (participants drum while teacher sings—cultural context alive)
- Improvisation games (call-response, rhythm circles—building musical confidence)
Day 3: Integration & Performance
- Full ensemble rehearsal (choreographed piece using all instruments—performance-ready)
- Cultural context deep-dive (when these rhythms are played, social function, regional variations)
- Final performance recorded (often performed for other retreat participants—showcase learning)
- Certificate of participation, group photo, celebration (honoring accomplishment)
Complete Package Includes:
- All daily 90-min sessions, instruments, materials (comprehensive learning)
- Video recordings each day (track progression, share with friends/family)
- Optional: Attend local temple music if timing aligns with festival (real-world context)
- Certificate of completion (document cultural learning)
- Extended chai/meal sharing after final day (cultural exchange, lasting connections)
Private Masterclass
Best For: Professional musicians, serious tabla/drum students, ethnomusicology researchers, filmmakers/photographers documenting traditional music, luxury travelers wanting VIP cultural experience
Fully Customized: Structure based entirely on your goals—focus purely on Nagada technique, explore all instruments deeply, combine with other Indian music elements (harmonium, vocals, dance integration), visit local drum maker workshop, private recording session, detailed technique correction, cultural context storytelling (family lineage, oral traditions, regional variations)
Exclusive Access Includes:
- Extended time with master teacher Vini Devda (decades of experience, family tradition)
- Possible visit to local instrument maker (see how Nagada/Dholak crafted—artisan secrets)
- Private recording session (professional-quality audio/video of your playing)
- Detailed technique correction (personalized coaching impossible in group settings)
- Deep cultural storytelling (oral histories, regional variations, family lineages passed through generations)
The Workshop Experience: What to Expect
🏛️ Arrival & Atmosphere
Location: Historic 180-year-old Rangji Temple school courtyard—authentic sacred setting (not tourist-constructed venue)
Setup: Instruments arranged in circle, floor seating on cushions/mats (traditional egalitarian style—no "front" or hierarchy)
Ambiance: Incense burning, temple bells occasionally ringing in background, pigeons cooing from carved stone pillars, high walls creating echo-friendly acoustics (drums sound AMAZING here)
First Impression: Most participants feel immediate sense of "this is authentic"—not staged for tourists but functioning music school in living temple complex
💪 Physical Experience
Nagada: Full-body engagement—arms get genuine workout, core stabilizes torso, legs ground stance. Expect slight muscle soreness next day (good soreness like after gym!). Therapeutic release—hitting drum HARD feels cathartic, safe way to release stress/anger/frustration. Many participants report feeling "cleared out" emotionally afterward.
Dholak: Hands-on (literally)—palm slapping creates satisfying THWACK sound. Palms may redden slightly (normal, fades in hours). Less physically demanding than Nagada, more about rhythm precision than strength.
Khartal: Coordination challenge (like patting head while rubbing belly). Initially frustrating ("Why won't my fingers cooperate?!"), then suddenly clicks—very satisfying breakthrough moment. Everyone struggles at first (laughter inevitable).
🎭 Emotional Journey
Initial Phase: Curiosity mixed with slight intimidation ("Can I do this? Instruments look serious"). Self-consciousness about making mistakes in front of strangers.
Middle Phase: Concentration, frustration (getting technique right), breakthroughs ("I did it!"), laughter (group mistakes are hilarious—bonding through shared clumsiness). Self-consciousness dissolves.
Climax Phase: Ensemble playing creates JOY—everyone locked into groove together, primal human experience of collective rhythm. Faces light up, smiles unstoppable.
Closing Phase: Sense of accomplishment, cultural connection, bonding with other participants (strangers feel like friends). Reluctance to leave (many ask "Can we do this again tomorrow?").
👥 Social Dynamics
Ice-Breaker Effect: Strangers become friends through shared struggling/laughing/succeeding. Playing drums together bypasses normal social barriers.
Non-Verbal Communication: Creating rhythm together requires deep listening/responding to others without words—builds authentic connection.
Leveling Effect: Doesn't matter if you're CEO or backpacker, 25 or 65—everyone's equally clumsy at first, equally capable of improvement. Hierarchy dissolves.
Team Bonding: Corporate groups report this creates more cohesion than typical trust-fall exercises. Shared memory team references for months afterward.
Who Joins & What They Say
"We're a couple from Australia spending 2 weeks in Rajasthan. We did fort tours, camel safari, cooking class—but the Nagada workshop was the HIGHLIGHT. Nothing compared to the joy of banging these massive drums together in a 180-year temple courtyard. We still watch the video of our ensemble performance and crack up at how bad-but-enthusiastic we were. The teacher was so patient and made us feel like rockstars. Worth every rupee! Only regret: not booking the 3-day module—we wanted more!"
Sydney, Australia, Cultural Travelers
"I organize 10-day silent meditation retreats in Rishikesh. On day 7 after silence ends, I bring groups (15-20 people) to Pushkar for Nagada workshop. The explosive energy release after 6 days of silence is PERFECT—people laugh, shout, bang drums, reconnect with body/voice after intense inward focus. It's therapeutic chaos in best way. The contrast is brilliant: quiet meditation → loud percussion. Every single retreat participant lists this as top 3 experience. Worth the 5-hour bus ride from Rishikesh. I've booked this 12 times now—never disappoints."
Rishikesh, Meditation Retreat Organizer (Silent Vipassana Retreats)
"Our Bangalore tech company (45 employees) did 3-day leadership offsite in Jaipur. Hired Krishna Music School for 90-min Nagada percussion workshop as team-building activity. Our CTO (classical violinist, very serious) and junior developer (never touched instrument, super shy) both struggled equally with Khartal—watching them laugh together was priceless humanizing moment. The ensemble jam created more genuine team bonding than any corporate trust-fall exercise ever could. People still reference it 6 months later: 'Remember when Priya couldn't coordinate her Khartal fingers?' Bonding through shared hilarious struggle. Highly recommend for corporate groups wanting authentic team-building beyond boring hotel conference rooms."
Bangalore, HR Director, Tech Startup
"I'm percussion major at Berklee College of Music (Boston, USA) specializing in world drumming. Did 3-day private masterclass in Pushkar focusing on Nagada and Dholak. The POWER and PHYSICALITY of Nagada—you absolutely CAN'T get that from YouTube videos. Playing it properly requires whole-body coordination I've never experienced with Western drums. The bass resonance you feel in your chest cavity is primal. I now incorporate Nagada-inspired striking techniques into my drum kit playing—audiences notice the difference. The cross-cultural rhythmic concepts I learned inform my entire approach to percussion. Worth every penny of the ₹35,000 I invested (3 private sessions + travel). If you're serious about world percussion, this is essential fieldwork."
Boston, USA, Berklee Percussion Major
"I brought my 12-person yoga teacher training group (30-day immersive in Rishikesh) to Pushkar for 60-min intro Nagada workshop. Initially skeptical—'Will yoga teachers enjoy loud drums?'—but it was PERFECT. After 20 days of quiet yin/meditation practice, they needed physical RELEASE. Watching gentle yoga teachers beating war drums with huge grins was hilarious and beautiful. One participant (65-year-old grandmother) said 'I haven't felt this alive in 10 years!' The physical catharsis combined with cultural learning was ideal break from intensive yoga training. Now I include this in every 30-day training—non-negotiable. Students talk about it for years."
Rishikesh, Yoga Teacher Trainer (500+ Hour Programs)
"Our family (2 parents + 3 kids ages 8, 11, 14) visited Pushkar during Rajasthan holiday. Kids were bored of temples/forts ('Dad, not another palace!'). Booked Nagada workshop as last-ditch effort to engage them. GAME CHANGER. All three kids were OBSESSED—fighting over who gets to play Nagada next, laughing hysterically at Khartal coordination fails, proudly showing us videos for weeks after. My 8-year-old son (who has ADHD, rarely focuses) was locked in concentration for full 60 minutes. The teacher was phenomenal with kids—patient, encouraging, made them feel capable. Best family activity of entire 2-week India trip. If you have kids, BOOK THIS. They'll remember it forever. We're planning return trip just for 3-day workshop!"
London, UK, Family of 5 Cultural Travelers
The Venue: 180-Year-Old Rangji Temple
Not a tourist-constructed venue—an authentic functioning music school within historic temple complex. The space itself amplifies the experience.
🏛️ Architectural Magic
180-year-old temple complex in heart of Pushkar. High stone walls, intricately carved pillars, domed ceilings designed for acoustics. The courtyard architecture was BUILT for sound—drums resonate with phenomenal richness here (better than modern concert halls!). Ancient acousticians knew what they were doing.
🔔 Living Soundscape
Temple bells occasionally ringing in background, devotional singing drifting from nearby shrines, pigeons cooing from carved stone perches, monkeys sometimes watching curiously from rooftops. You're not in isolated studio—you're in LIVING cultural ecosystem. The ambient soundscape reminds you: this is real, not performance.
🎓 Authentic Context
Functioning music school—see regular students practicing tabla, harmonium in background rooms. Sometimes local musicians drop by between sessions (impromptu jamming happens!). This isn't stage-set for tourists—it's real educational institution preserving musical traditions. You're learning where locals learn.
🕉️ Sacred Energy
Temple sanctity adds reverence even for non-religious participants. Being in space consecrated 180 years ago, where thousands have prayed/celebrated, creates palpable atmosphere. Many participants report feeling "something special" they can't quite articulate. The space holds cultural memory.
Frequently Asked Questions
I have ZERO rhythm. Can I still join?
95% of participants say this initially! Our teaching structure uses imitation and repetition—you don't need prior rhythm sense. We break patterns into simple components, practice slowly, gradually speed up. Even rhythmically-challenged participants create ensemble grooves by end of session through guided practice. Worst case scenario: you'll have fun trying (laughter is half the point, mistakes are bonding experiences!). Nobody judges—everyone's focused on their own learning.
Is it physically demanding? I'm not very fit.
Nagada is moderately demanding (expect arm workout, slight muscle soreness next day—similar to gym session). If you have arm/shoulder issues, let us know—we adjust (play shorter bursts, focus on technique over power). Dholak is gentle (hand slapping, not strenuous). Khartal is coordination-challenge not strength. Morchang is effortless. Manjira is very easy. We adjust intensity based on group age/fitness—elders/people with limitations focus on gentler instruments, younger/fitter participants tackle Nagada more. Everyone participates comfortably.
What should I wear?
Comfortable clothes allowing free movement (avoid tight pants hindering cross-legged floor sitting). No special attire required—come as you are. Many participants wear traditional Indian clothes for photos (salwar kameez, kurta)—optional, not expected, but fun if interested! Remove jewelry that might hit drums (rings, dangly bracelets). Closed-toe shoes recommended for courtyard (sandals fine, just protecting feet from drum stick accidental drops!). Layers good—Pushkar weather varies.
Can children participate?
Ages 8+: Welcome in all group workshops (we have smaller drums for kids, adjust teaching pace). Ages 5-7: Can join with parent participating alongside them (parent-child bonding experience). Kids this age tire quickly—we give them breaks, let them observe when needed. Under 5: Generally too young (attention span issue 60+ mins, instruments intimidating size). Family workshops: Can be arranged (multigenerational groups 5-70 years old—beautiful family bonding through music!). Kids often LOVE this—physical, loud, socially acceptable way to make noise!
Do I need to bring instruments?
NO! All instruments provided—you need literally nothing except yourself and curiosity. We have 8+ Nagadas, 15+ Dholaks, dozens of Khartal/Morchang/Manjira sets. If you fall in love and want to buy Dholak/Khartal/Morchang afterward, we can arrange purchase at local Pushkar market (₹2,000-6,000 depending on instrument/quality). Nagada not practical to buy (huge—3 feet diameter, expensive ₹15,000-30,000, difficult to transport internationally, requires special shipping). Most participants content with videos/memories without purchasing.
Can we take photos/videos?
YES! Encouraged! We want you to document this. We'll even help you get great action shots (someone always plays photographer volunteer). We also record final ensemble performance professionally and send you video via WhatsApp/email within 24 hours. Many participants create Instagram Reels/TikToks during workshop—totally fine, tag us @pushkarmusicretreat so we can share! The visual/audio documentation is treasure—participants watch videos for years, show friends/family, relive the joy.
What if it rains?
We move to covered indoor space at school (same venue, just under roof shelter). Pushkar gets occasional rain during monsoon (July-September), but rarely continuous—usually brief showers. Monsoon sessions have extra charm: playing drums while rain pours outside, smell of wet earth, cooler temperature, dramatic atmosphere. We've done workshops in light rain (courtyard partially covered)—adds adventure! If heavy storm, we simply reschedule (very rare, happens maybe 2-3 times per year).
Is this "spiritual" or just music/cultural activity?
BOTH—you choose your experience! We respect that some participants seek spiritual connection: Nagada vibrations as meditation, drum playing as moving prayer, sacred temple setting for transcendent experience, rhythmic trance states, chakra alignment through sound vibration. Others just want fun cultural activity: learning exotic instruments, team bonding, entertaining experience, cool photos, impressive skill to share. No religious content imposed—we create space for whatever experience each person seeks. The teacher explains cultural/spiritual significance (temple traditions, sacred uses) but never pushes beliefs. Secular tourists and devout spiritual seekers both leave satisfied.
What's the best time of year to visit?
Oct-March (Peak Season): Pleasant weather (15-28°C), Pushkar's vibrant cultural scene, possible to attend real temple festivals if timing aligns. Downside: Accommodation 30-50% more expensive, book 8-12 weeks ahead. July-Sep (Monsoon): Occasional rain but not constant, Pushkar lush and green, fewer tourists (more intimate experience), accommodation cheaper. Downside: Humidity, rare completely-rained-out day. April-June (Hot): Very hot (32-42°C), fewest tourists, accommodation cheapest. Downside: Physically draining playing drums in high heat (we schedule morning sessions, provide lots of water). Our Recommendation: Oct-Nov or Feb-March (ideal weather, post/pre-peak pricing, vibrant but not overcrowded).
How do we book? What's the process?
Step 1: WhatsApp +91 99286 58520 or email krishnamusicschoolpushkar@gmail.com with: preferred dates, group size, which format interested in (60-min intro / 90-min ensemble / 3-day module / private). Step 2: We confirm availability, finalize exact timing (morning/afternoon/evening), answer any questions. Step 3: Small advance payment (₹2,000-5,000 depending on group size) holds booking via bank transfer/PayPal/UPI. Step 4: Remaining balance paid on arrival (cash/UPI accepted). Step 5: We send venue directions, what to bring (basically nothing!), meeting details. Cancellation: 7+ days advance notice: full refund. 3-6 days: 50% refund. Less than 3 days: no refund (but can reschedule if we have availability).
Why Join Our Nagada Workshops
Learn in functioning music school within 180-year temple (not tourist-constructed venue). Instruments, techniques, cultural context all authentic—passed through generations, not invented for tourists.
EVERYONE plays instruments, not demonstration-watching. Even 60-min intro gives substantial hands-on time with Nagada, Dholak, Khartal. You leave with actual skill, not just observation.
Teacher Vini Devda trained in family musical lineage spanning generations. Patient with beginners, challenging for advanced students. Balances cultural education with practical skill-building beautifully.
Feel the Thunder of Rajasthan
Whether you're cultural tourist seeking authentic experience, retreat organizer wanting memorable group activity, or music enthusiast exploring world percussion—our Nagada workshops offer rare access to royal Rajasthani drum traditions. From the thunderous power of Nagada kettle drums to the playful syncopation of Khartal clappers, from solo traveler to 30-person groups, from 60-minute taster to 3-day immersion—we craft the percussion experience matching your time, interest, and adventure appetite. No experience required—just curiosity and willingness to make LOUD joyful noise!
📱 Book Your Workshop
Share dates, group size, preferred format. We'll craft perfect drumming journey for you!
WhatsApp to Book📹 Watch Workshop Videos
See past participants playing Nagada, Dholak, Khartal. Witness the joy, hear the thunder!
Watch Videos📧 Email: krishnamusicschoolpushkar@gmail.com
📱 WhatsApp: +91 99286 58520 (24/7 Response)
📍 Location: Krishna Music School, Rangji Temple, Pushkar, Rajasthan, India
🌐 Perfect For: Solo travelers, couples, families, retreat groups, corporate teams, music students
📷 Instagram: @pushkarmusicretreat
⚡ Peak Season (Oct-March): Book 4-8 weeks ahead for preferred dates (workshops fill quickly during tourist season). Monsoon/Summer (April-Sept): Better availability, book 1-3 weeks ahead sufficient. Group workshops require minimum participants—we can sometimes combine small groups on same day (meet new friends!). Private sessions most flexible scheduling.